Pinocchio Facing the umpteenth reversal of the children's Pinocchio (2022) Full Movie Streaming Free literature classic by Carlo Collodi was already lazy. Still, if Guillermo del Toro signs the animated film, the ordeal is even greater since it is assumed that we will face a movie of a certain thickness.
In the Pinocchio movie by Guillermo del Toro on Netflix, and how could it be otherwise, being who its director is, we find a completely tragic and devastating Pinocchio who uses musical numbers to advance his dense and unattractive plot which, once again, narrates the same as always.
Under the narration of Jiminy Grillo, stream 2 is now all set to release in theaters we will enter a story marked by loss and death. Suppose there are already parents who consider that Pinocchio (1940), signed by Disney, is a cruel and hard story to digest for the smallest of the house. In that case, I do not want to know what they would think if they were about to see the Pinocchio movie by Guillermo del Netflix bull. The proposal has a pessimistic, monstrous, dark, and tormenting tone. These adjectives will accompany the story until its last bars, not leaving a single moment of relief or hope in the viewer.
In addition, the proposal is framed in the fascist Italy of the first half of the 20th century, including the character Mussolini within the story as one of his characters.
In responding to the question we started this section, we will say no, we are not dealing with a children's film aimed at all audiences. Children who come to this story should see it with their parents to start the necessary conversations on topics such as death, parenthood, child exploitation, or war. Issues that the little ones in the house will have trouble digesting and understanding on their own.
The main novelty of the proposal signed by Guillermo del Toro is to use stop-motion technology in the footage. By combining this technique with puppets, real scenes, and 3D animation, he creates a spectacular and gloomy universe typical of the filmmaker. Something that undoubtedly gives entity to his proposal, managing to be visually impressive. A painstaking and laborious work that can only receive praise.
The main problem with Netflix's Guillermo del Toro's Pinocchio Box Office US report, Pinocchio is that it was optional. After the premiere of the recent versions of Matteo Garrone with Roberto Benigni or Robert Zemeckis with Tom Hanks, the public did not need another installment of "more of the same." And it is that although we face proposals that are very different from each other visually, the essence of the story, its characters, and the situations they go through are always the same. And honestly, who has yet to arrive who surpasses the classic from the Disney factory?.
The year that is about to end left us with two new versions of Carlo Collodi's iconic tale from 1883, Pinocchio. One was created by the famous Mexican screenwriter Guillermo del Toro, reproduced by Netflix and various cinemas in Mexico, and a live-action version was directed by Robert Zemeckis and produced by Walt Disney Pictures.
Both productions have had the opportunity to compete hand in hand to see which final show is the winner for the public. The Disney version dared to launch this new version in real images combined with CGI and animation, while Guillermo del Toro excelled using the stop motion technique.
Curiously, the version of the man from Guadalajara is one of the most complicated and expensive in cinema. However, the investment in production between one film and another was not even close to comparing and spending time on streaming platforms as well as in theaters; the final production del Del Toro has managed to position itself as one of the favorites of audiences and specialized critics at the end of 2022.
According to the IMDb site, approximately $150 million was invested in the Disney version, including the cost of distribution and publicity for the film. A large part of the percentage was also spent on speeding up production. It also featured big-name characters like Tom Hanks and Geppetto.
According to the streaming platform Netflix, Guillermo del Toro's stop motion animation had resources of 35 million dollars.
Despite the marked budgetary differences, the Mexican version managed to rise as one of the audience's favorites and critics, so much so that at the Golden Globes, Guillermo's film obtained the nomination for Best Soundtrack and Best Animated Film.
For the Critics' Choice Awards, it also managed to be in three categories: Best Animated Film, Best Soundtrack, and Best Song with Ciao Papa. The Golden Satellite Awards nominated it for Best Feature Film or Animated Short.
His production has been applauded by great directors such as Stephen King, who assured that the film was "pure magic." Likewise, Matt Braly, artist, and director of the Gravity Falls series, applauded the team behind Pinocchio and said it is one of his favorite movies of 2022.
Animation is an audiovisual genre more than entrenched. Even though Disney has done most of the relevant work in recent decades, there are more and more interesting releases in this field. From anime, digital creation, and classic drawing to stop motion, there are multiple ways to produce an interesting title that simultaneously achieves success. That is what Guillermo del Toro must have thought. The director and screenwriter, who just a few months ago released a horror anthology entitled The Cabinet of Curiosities, close this 2022 with a personal bet, his particular vision of the classic tale Pinocchio.
The film premiered on Netflix last Friday, December 9, and the platform's subscribers have already endorsed the result. In just one weekend, Guillermo del Toro's Pinocchio has become the second-most-viewed film. Now it's time to understand the reasons for this success, so we review the most important aspects of his proposal with a synopsis, team members, and a cast that has participated in the dubbing.
Oscar-winning filmmaker Guillermo del Toro has collaborated with an award-winning master of stop-motion animation Mark Gustafson to reinvent Carlo Collodi's classic tale of the mythical wooden boy with a fabulous masterpiece that takes Pinocchio on a magical adventure that transcends worlds and reveals the life-giving power of love.
This is how Netflix presented its new animated film. The truth was just a few months ago; we saw the live-action premiere of Disney's Pinocchio, which highly respected the history of the factory's first cartoon adaptation. However, Guillermo del Toro's version takes up the essence of the original story, perhaps darker, full of mature details, and a political background. After all, this 2022 version is a musical set in 1930s Italy.
The original story by Carlo Collodi is far from the childish and sweetened perspective that Disney presented us with. Even though Zemekis cut the sweet tooth in his recent version, he doesn't get as close to the 1881 tale as he may get Guillermo del Toro's Pinocchio. Although there are multiple details that they have had to compact or ignore to fit the story into 1.56h, the truth is that the episode in which the wooden doll ends up with its feet burned and Geppetto has to carve others for it adds a harshness to the film which is linked to the original work.
The film "Pinocchio," by the Mexican Guillermo del Toro, was recognized as the best-animated film by the Online Association of Female Film Critics 2022 Awards.
The Online Association of Women Film Critics announced this year's winning films on its website on Tuesday, including the film inspired by the original story by Carlo Collodi.
The award joins a long list of recognitions Del Toro's project has received from film critics' associations in Los Angeles, Boston, and Dallas, among others.
In addition, "Pinocchio" has two 2023 Golden Globe nominations, three Critics Choice Awards nominations, and is part of the pre-Oscar nominations list.
However, the most awarded film at the Online Association of Female Film Critics 2022 Awards was "Everything Everywhere All at Once," which received eight mentions and has been positioned as one of the most promising films of the awards season.
The film won in the categories of best film, best director for the work of Dan Kwan and Daniel Scheinert, best leading actress for the performance of Michelle Yeoh, and best-supporting actress and actor, respectively, best original screenplay, best editing, and costume design.
Likewise, "The Banshees of Inisherin" by Martin McDonagh, another of the great promises of the season, won in two categories: best actor, for the performance of Colin Farrell and best original screenplay in a tie with "Everything Everywhere All at Once."
Finally, Sarah Polley's film, "Women Talking," received the titles of the best-adapted screenplay, best cast, and the Rosie award, "recognition that celebrates the film that best promotes women, their voices, and the female experience through the cinema," explained the association.
The universal creation of Carlo Colodi, Pinocchio, continues to be the subject of the most varied adaptations: from Matteo Garrone's in 2020 to Robert Zemeckis' unsuccessful live-action remake of the 1940 animated film released by Disney Plus this same year.
Today we will talk about the last one to see the light: Pinocchio by Guillermo del Toro, a musical version in stop-motion by two institutions of the caliber of The Jim Henson Company and ShadowMachine that reaches 117 minutes in length throughout. Of which a beautiful paternal-filial love story develops.
Our advice is that, if you have the opportunity, try to enjoy it on the big screen to appreciate the enormous craftsmanship behind this meticulous production: the design of the characters, the definition of their personalities thanks to how they move, the detail of the decorated.
Having said this, it should also be noted that those who continue to be at the forefront of this technique are the creatives from Laika, who will premiere their next project, Wildwood, in 2023.
The mere existence of Guillermo del Toro's Pinocchio is a triumph due to the difficulty of carrying out a shoot of such caliber and duration. Still, jerks are appreciated in the images, and the frame-by-frame animation is perceived on more than one occasion as crude.
Does that prevent you from enjoying the movie? Absolutely! But to Caesar, what belongs to Caesar? If we are fair, this gap in the quality of the animation must be pointed out because viewers familiar with this technique will not be able to avoid the comparison.
On other levels, it is indisputably outstanding, as is everything about the way these moving dolls make us feel: Del Toro, Mark Gustafson, and their team of animators make them believable and make us empathize with them without difficulty because the story has adapted to be very human from the beginning and its appearance is very realistic.
Pinocchio is one of those few works that customarily manage to slip into the category of classic, which is known to the subway box office girl and the Biology doctoral student alike, and which has permeated the infantile threats of entire generations of childhoods (it is known that the fear that your nose will grow for being a liar does not fall softly when you are five years old). While watching the new version by Guillermo del Toro, with a script by the Mexican director and Patrick McHale, I couldn't stop thinking about one of the ideas that Italo Calvino postulated on the subject: a classic "is one that you cannot be indifferent to and that it serves you to define yourself concerning and perhaps in contrast to him." Only some people could give the author's name or the original book's date of publication (Carlo Collodi, 1883). Still, many could see its historical reflection as a myth from time immemorial without authorship.
With that baggage on your back, it is difficult to reformulate the same thing in another way without falling into the same clichés. How do we make a story used to the point of exhaustion define us and refer us to our own experience? Del Toro and McHale demonstrate that to tell the tale anew, you have to lose respect for the totem poles of the past. Or better: find a different respect for them.
Del Toro's Pinocchio moves away from the most instructive aspect of the story: that of a child puppet who must learn to behave well to fit into society and focuses, in parallel, on the story of a father and his unlikely son, shaking off the chains of the most popular versions of the past and instead approaching the darkness of fairy tales, those that, far from the common places of kitsch that sometimes would seem the only way for children's productions, tell us about oral traditions willing to enter the most painful spaces of the human experience. For something, Collodi's book was not originally intended for children. As Del Toro himself said, "it is not a light and nice film it is not made condescending vertically towards the public." He added that "animation is not a genre made for children, but a medium that allows people to talk about deep, painful, beautiful things in a more adult way." A universal reflection, after all.
To achieve this, there were three crucial decisions. The first is the plasticity of stop motion. Though digitally processed to a diamond polish, the dolls convey the craftsmanship behind their creation. They are, as del Toro said, actors. The movements refer to the mechanics of their joints and the hands of those adjusting each expression of the puppets. I firmly believe that the beauty of materiality connects with a primitive part of ourselves.
In addition to this, the design of Pinocchio initially transports us to del Toro's monsters. The first appearance of it shook me because of the rusticity of its joints, the asymmetrical face, and the wood with a little filling. It is, just as it is, a wooden doll that is far from naturalism, as opposed to the sweetened puppet that a century of Pinocchio has presented to us: that little boy made of painted wood with white skin (!) with nice Tyrolean clothing and the face of a real child. . The aesthetics of the rest of the film also echo this point: it's dark, stylized, and gorgeous, as del Toro's filmography has come to expect.
Guillermo del Toro's Pinocchio adaptation of Carlo Collodi's classic novel is one of the most popular movies on Netflix today. Of course, it is not the only adaptation that exists. The most famous of them is the 1940 Disney animated classic, which still steals the hearts of thousands of people worldwide.
However, the story of Pinocchio has also been revised under other styles and concepts, such as the case of a 1996 film belonging to the horror genre. The title of this production is Pinocchio's Revenge (Pinocchio's Revenge), a slasher with all the ingredients of movies like Chucky, the devilish doll (Child's Play, 1988).
A lawyer mistakenly gives her daughter, Zoe, a wooden puppet belonging to a deceased serial killer. The toy becomes Zoe's favorite object and her only friend, but the tool begins to act increasingly strangely and violently.
The Kevin S. Tenney-directed film tells a harrowing story of parenthood, guilt, and societal pressures based on the original Pinocchio narrative but with a disturbingly bittersweet twist.
Pinocchio's Revenge goes beyond a simple killer doll movie like Child's Play or Annabelle, but it simultaneously manages to evolve and subvert the classic Pinocchio myth.
Its title could lead us to think it is a cheap production in economics and history. However, it manages to sustain itself solidly until it reveals the secrets that the family that the protagonist of the story harbors.
It's not a film that will go down in history as one of the great horror gems. However, if you want to take a different angle on Carlo Collodi's classic, it can offer you a moment of welcome and dark entertainment.
The first hour of the film addresses a legal plot. But gradually, the story turns towards something supernatural and disturbing that will make you pay more attention to the tape. Above all, it is Zoe's relationship with the doll, the biggest intrigue of this film, and her complex relationship with her mother, which adds great drama to the story.
Guillermo del Toro continues to triumph internationally with his stop-motion film Pinocchio, a classic children's tale with more than 40 audiovisual versions worldwide. Although many know by heart the story of the wooden puppet who aspired to be a real child, the production of the director from Guadalajara is driving the public crazy not only because of the quality he printed in each take but also because he managed to move almost everyone until tears from beginning to end.
This last thing happened to a Mexican girl, who cried uncontrollably after enjoying the tape and asked her mother not to play it again because the previous scenes caused her a wave of feeling so deep that she could not stop her tears.
The tender moment was shared on TikTok by her mother because after noticing her reaction, she did not hesitate to show a little of the feeling generated by the work of Guillermo del Toro. And everything indicates that the little admirer was not the only one to feel that way because many Internet users, regardless of her age, assured her that they could not contain themselves when they saw the movie.
"So was I too." "I completely understand her, I cried." All the previous Pinocchio movies had traumatized me, except this one. I loved her". "I almost fainted from crying so much." "That girl is me today, and I'm 33, and I cry with everyone." "In my house, it was I who cried and my son who calmed me down," they wrote.
But that was not all. Some users of the platform lashed out at the mother of the family for laughing at the moment that her daughter was experiencing because they considered that she was not corrective since, in a certain way, she minimized her feelings. For that reason, she recommended being more attentive, and instead of reacting mockingly, it is better to listen carefully and explain the situation.
Every success always has a tail, so many adaptations deserve to be evaluated. This time, we will see the best and the worst this year.
Let's start with the worst of all: the live-action remake of Pinocchio, released in 2022 and available on Disney Plus. This movie needs to be more soulless because it's an almost frame-for-frame adaptation of the original film. He added a few things, like having Stromboli arrested for his crime and the Monstro being any other creature except a whale, but nothing useful for the development of the plot.
The original sin of this Pinocchio is to skip the character's evolution: we never saw him learn good from evil, but he appeared to be a good boy from the beginning. There is always someone else forcing Pinocchio to do bad things, and that innocence ruins the story's original meaning.
Pinocchio: A True Story is the first film of 2022, and it does have a unique angle compared to what we saw at Disney. The tape was produced in Russia, feels cheap, and lazily recycles the footage from the original work. The story is not saved because it is completely absurd since the plots often come out of nowhere, and the plot threads are resolved in an anticlimactic way.
Although Pinocchio: A True Story is not a good movie, its lack of quality gives it a certain charm compared to the live-action version. If you dare to see it, remember that it does not deserve to be taken seriously, and enjoy the moments.
Lastly, Guillermo del Toro's Pinocchio is by far the overwhelming winner. This version is the darkest of the other adaptations, with the drama of Gepetto losing his son because of the war and the family tension caused by Mussolini's Italian fascism. The stop-motion animation makes the atmosphere feel dirty, sad, and nostalgic, but still, Pinocchio shines in his scenes.
Guillermo del Toro's Pinocchio is not a children's film, something Disney tries to do with all its productions, but a work dedicated to family history. The closing is not the happiest, but that sadness accentuates the film's message. It is undoubtedly a film made with heart and an original proposal for what we have seen at Disney.
This time, the new Guillermo del Toro film that has caused a furor in recent days, and even tickets to see it in places like the Cineteca Nacional sold out in a short time, will be screened in the Zócalo of CDMX. Read on to find out when that will be.
Oscar-winner Guillermo del Toro reimagines the story of the wooden puppet in an astonishing musical with stop-motion animation.
The film premiered on Netflix on December 9 and became the number 1 film worldwide on its first day on the streaming platform; two weeks earlier, it opened in a few select movie theaters across the country.
The Mexican director and screenwriter Guillermo del Toro was in charge of returning to the big screen the story of Carlo Collido, Pinocchio. True to its style, separated from a childish perspective and more reliable to the original story, the film is a success on Netflix and in the world.
Through a statement, the CDMX Ministry of Culture informed that this film will be screened next Friday, December 30, at 7:00 p.m. and will be free for all who wish to see it. So we recommend you arrive early to find a good place.
This projection is part of the closing of the Christmas Verbena in the same venue.
Pinocchio is scheduled for a December 2022 release. The Christmas Verbena will feature 51 artistic activities and fairground games, including a 28-meter-high Wheel of Fortune, a snowy forest, and a tree of life.
In addition, the Zócalo will become the ideal photographic set to collect great memories in the company of family and loved ones. The public will find a snowy forest with giant trees 7, 8, and 12 meters high and a tree of life 8 meters high so that visitors can take pictures from 10:00 a.m. to 10:00 p.m.
And on the 31st, Los Ángeles Azules will welcome the New Year with a free concert on Paseo de la Reforma.